Free from all the technical limitations of his first feature film Following – a remarkable debut which contains elements that will become increasingly relevant in his following movies – and having quite a remarkable budget of nine million dollars despite the magnitude that it will reach over the next few years, twenty-nine years old Nolan has directed a cynical and rigorous neo-noir which has its main strength in turning its fabula and syuzhet around. In 2000 it’s Christopher Nolan’s turn with his second movie Memento, freely adapted from the short story Memento Mori written few years earlier by his younger brother Jonathan – showrunner for acclaimed TV series as Westworld and Person of Interest. Some of the best known examples include the great period drama Shutter Island by Martin Scorsese and the surrealist masterpiece Mulholland Drive by David Lynch. This topic has been successfully treated in some of the most influential filmmakers’ movies of our time, often using the film genre that best suits the theme – the noir – giving birth to some of the most successful reinterpretations of this genre. I’m no different…Įxperiencing devastating traumas can lead to disintegrated states of mind to such an extent that the subject is forced to construct an alternative reality to bear the pain and the sense of guilt. We all need mirrors to remind ourselves who we are. Do I believe the world’s still there? Is it still out there? … Yeah. I have to believe that when my eyes are closed, the world’s still there. I have to believe that my actions still have meaning, even if I can’t remember them. “I have to believe in a world outside my own mind. It is therefore recommended to read it after watching the movie in order not to ruin your viewing experience. This article reveals the plot and the detailed explanation of Christopher Nolan’s Memento, explaining its meaning and storyline.
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